Breathing Garden | Bamboo Grove

Breathing Garden | Bamboo Grove is an artistic experiment that connects the participant’s breathing to a space imagined as a bamboo forest, extending the body into the surrounding environment. In this work, Kyō-meichiku—bamboo finished using traditional techniques—is suspended in a grid formation to create an installation space that evokes a bamboo grove. Inside each bamboo pole, a vibration motor is embedded, producing a simple, raw vibrating sound when activated.

The participant sits at the center of the bamboo grove and breathes slowly. As they do, irregular, fluctuating vibrations resonate from the surrounding bamboo. The participant’s breath synchronizes with these subtle sounds, which move through the bamboo forest as if traveling through space. Breathing—normally an unconscious bodily activity—becomes an audible movement, forming an acoustic environment. In this way, the participant’s body is extended and integrated into the bamboo grove through breath.

Bamboo is a life form with a remarkably unique structure compared to ordinary trees. Although its interior is almost entirely hollow, it is both strong and flexible due to its high-strength fibers. In typical trees—both deciduous and coniferous—when they grow to about 15 meters in height, the trunk diameter at the base is usually around 25–50 cm. By contrast, bamboo that reaches the same height has a diameter of only about 7–15 cm—roughly one-third to one-quarter that of a tree. Its growth speed is astonishing: bamboo can reach a height of 15 meters in just one to two months, whereas trees generally require 20 to 40 years to grow to the same height.

In botanical classification, bamboo is not a tree but a perennial grass of the Poaceae family—a woody grass—and thus follows a growth pattern fundamentally different from that of trees. Breathing organisms and photosynthesizing organisms sustain and develop life in entirely different ways. Yet, as animals, we too possess internal “vessels” or cavities—such as the respiratory and digestive organs—just as bamboo contains a hollow interior.

In this work, breathing—taking oxygen into the hollow space of the lungs and releasing carbon dioxide—is connected to the hollow interior of bamboo, which supports its growth, and is fed back as vibration and sound. This process can be understood as a call from humans (animals) to bamboo (plants), and a response from bamboo (plants) back to humans (animals).

Through the experience of Breathing Garden: Bamboo Grove, the work seeks to rediscover commonality and coexistence across different forms of life, and to open new perspectives and possibilities for symbiosis.

Midwifery Research

This work also serves as an art-and-science initiative for midwifery research (measuring the effects of breathing meditation), and experiential sessions for pregnant and postpartum women are scheduled to be held during the exhibition period.

Exhibition Information

Dates
March 13 (Fri.) – March 17 (Tue.), 2024, 11:00 – 17:00 (Closed on Monday)

Venue
Horikawa Oike Gallery
238-1, Oshiaburanokoji-cho, Oike-agaru, Aburanokoji-dori, Nakagyo-ku, Kyoto, 604-0052, Japan
*There is no parking space for bicycles or cars in the gallery.
Please refrain from coming by bicycle, motorcycle, or car. Please use public transportation.

Profile

Koichi Mori
Born in Osaka in 1958. Graduated from the Graduate School of Education, Osaka Kyoiku University. While in graduate school, he began researching video art and was involved in the production of numerous works as a video director. In the 1990s, he was involved in the planning and producing multimedia content such as "Cosmology of Kyoyo." Since 2000, he has collaborated with Takehisa Mashimo on research into media art expression using human bio-information. Since 2000, he has collaborated with Takehisa Mashimo on research into media art expression using human bio-information. Currently, he is working on an art project focusing on "earth," "breath," and "plants" in the context of the Anthropocene epoch.
Takehisa Mashimo
Graduated from the Graduate School of Media Arts and Sciences, Institute of Advanced Media Arts and Sciences. He researches and produces artworks mainly in the field of media art. He has participated in international exhibitions such as Ars Electronica Festival (2004), Gwangju Biennale (2006), and Sundance International Film Festival (2011). In collaboration with Koichi Mori, he has created works that feed back biological information such as brain waves, cerebral blood flow, and respiration to the viewer. He works with graphic designers, contemporary artists, and filmmakers on projects and productions.
Other Projects

Contact
Doshisha Women's University, Department of Media Creation Office.
(+81) 0774-65-8635

Produce  Koichi Mori, Takehisa Mashita
Cooperation   Akira Nihei, Mie Izumi、Shizuka Kimura, Shinzi KatsuuraThe Third Gallery Aya, NPO 10bin, MIKI-CHIKUZAI-TEN, Doshisha Women's College of Liberal Arts, Seian University of Art and Design
Grant  Doshisha Women's College of Liberal Arts